The Cavalcade continues! These filmmakers have perverted the cinematic language! They have deconstructed Cinema as we know it... and they’re proud of it! Even better than heroin! Come and see for yourself these "little pieces of filth"!
Care to look into the mirror? Or maybe fall on the other side of it? “I’M! SO! BEAUTIFUL! You gotta believe it, I am beautiful!” Self-image from the darkest narcissistic obsession to the most positive message of identity acceptance, and everything in between!
Who is the self(ie)? Ask Suzannah Mirghani’s VIRTUAL VOICE! Up high or down below? Rachel Maclean’s UPSIDE MIMI IWIW NMO? is the cutest Alice on her wonder-socials, while Yace Sula’s ELE OF THE DARK searchs for answers through their darkness and queerness. In the meantime, SXSW 2022 winner Erich Rettstadt’s TANK FAIRY will teach your kids to be fierce and sparkly, while Léahn Vivier-Chapas’ THE BOOB FAIRY will teach them to behave… if they want big boobies when they grow up! Alexis Langlois’ THE DEMONS OF DOROTHY will take the grown-ups to the land of Russ Meyer inspired bikers and emerald botox. A facade can be helpful indeed in Matthew Van Gessel’s WE WANT FACES SO BAD! Though beware of Adam Wilder & Nicole Daddona’s THE FACE SNATCHER! We’ll be cultivating our outer appearance with aerobic and psychedelics in Sam Fox’ BAD ACID, singing our insecurities with Yann Gonzalez’s HIDEOUS, only to find out that we’re all beautiful! – Celia Pouzet